The map
Four moves — underwrite, own, operate, compound — across six segments where culture is trading as an asset class. Each square is a place to take a position. Start with the grid. What sits underneath it comes after.
Swipe the map sideways →
Twenty-four positions, and almost no allocator holds an operator’s read on any of them. What follows is the ground underneath the grid — how large the pools are, and who is moving to own them.
Don't add these up. Watch them collide. The value in play is whatever these are worth once ownership, audience, learning, and technology quit their separate lanes. Which makes the number worth watching the one on the other side of the table.
The assets are one half of the map. The capital learning to buy them is the other. Brands in culture is exactly the domain patient capital buys — durable, ownable, cash-generating. Gannett.Partners reads that intersection for the people holding the checkbook.
Own the audience. Own the IP. Let technology compound both.
— Chris
Gannett.Partners
Independent diligence on the person a business depends on — for boards, investors and family offices. Fixed fee, fixed scope.
Start a conversation →Sources · Capital: approximately 8,000+ family offices managing around $5.5 trillion, projected toward roughly $9 trillion by 2030, with about 70% now investing directly (Citi Global Family Office Report, 2025); office count roughly tripled between 2019 and 2023. Segment sizing across education, entertainment and media, sports, and the creator economy is directional and drawn from published industry estimates. The point of this map is the vector, not the decimal.